Best Bondage Erotica 2015 and She’s on Top

May 23rd, 2016

Best Bondage Erotica 2015 and She's on Top
~$15 from Amazon

I had this great introduction for this post worked out. But when I sit down to write it, it completely escaped me. Go figure, eh?

I wanted to explain why this review has taken me so long, which seems to be how most of my posts on this blog start these days. I suppose it all comes down to the fact that I was simply uninspired, not because of me but because this collection is simply uninspiring for me. Perhaps I need more of a D/s angle instead of simply bondage, though there was some of that within these pages. Maybe I prefer specific roles. She’s On Top is the next book in my review queue, and thus far it’s doing a much better job of getting the juices flowing.

And perhaps this was just a slow year for erotic fiction. Maybe I’m too harsh.  Perhaps there was too much variety, and Best Bondage Erotica just missed my niche. I’m not sure. I can’t put my finger on it, but I’m reluctant to call this the “best” the world has to offer. Plenty of other people disagree, as is their right, however. Best Bondage Erotica 2015 has a 4.65 rating on Good Reads.

It’s a fair question to wonder whether I am just burned out on erotic short stories. I’ve reviewed many of these anthologies and have read even more! But as soon as I finished Best Bondage Erotica, I opened up She’s on Top, another anthology edited by Ms. Bussel. Almost immediately, I was pulled in. From the very first, I was curious, aroused and craving more.

It’s been a much quicker read because of how rapt I am, and I find myself reaching for the book even when I do not want to be aroused. I simply want to read the stories. Aside from deliciousness, I love how the overarching theme of female dominance isn’t necessarily done in the most cliche or redundant way. That’s hard to do, and many BDSM manuals and guides would have you believe there are only so many femdom archetypes from which you can pick. She’s on Top absolutely defies that “truth,” and I am glad for it!

But what about Best Bondage Erotica, which will soon be replaced by a new volume? The stories run the gamut from playing with strangers to voyeurism/exhibition to spy games — all with a bondage element, of course. Sometimes the bondage takes center stage es elaborate setups are discussed. At other times, however, it’s more incidental than instrumental. I think that’s one of my critiques. Sure, there is bondage, but I’d rather it be all about bondage with less curiosity about how this story is going to get there. If you like erotica that warms you up first, you might prefer this collection of stories more than I did, however.

Very few of the stories just stuck with me, and as I page through the book to write this review, I don’t remember reading most of them. I do recall and enjoy “Housewarming the Craftsman,” a story in which a man and woman break in their new home in a less-than-traditional-way, and “Tying the Knot,” a tale about a (homosexual!) couple who use bondage to get over those cold feet. “You Shall Not Come” is a solid piece written from the point of view of a visitor of a weekend sex camp. At camp, she participates in a game where she and a stranger try to make the other come first. “Stuck On You” evokes classic wet T-shirt imagery through the use of a soapy, wet sponge; adding bondage brings something new to the old concept.

With so much variety, the reader is bound not to love everything. But bondage is a less cohesive theme than I’d like, which means there are fewer themes that do it for me. Your mileage may vary.

Now, why did I love She’s On Top so much? Certainly, it had to do with when I was reading it. I was in the middle of steamy sext sessions with a guy who would eventually break my heart but who was also comparably kinky. Perfect background! And the stories were perfect to read while my sex drive was in such a heightened state. Thus, reading was frequently broken up but only because there was so much masturbation happening!

It starts off strong with “Suit and Tie,” a story about workplace oral. Stories about housework, crossdressing/cosplay, professional dominatrices and even Victorian England, which turns out to be sexier than I ever would have thought. That particular story, “Victoria’s Hands,” is one that I would recommend. But it’s not the only one. Teresa Roberts writes a haunting-yet-sexy story in which the main character is using BDSM as closure to a relationship.

If there’s a story that I don’t particularly like, there’s only one, “Feeder.” The name points at exactly what you’d expect, and that sort of fetish just isn’t my thing.  But it’s quickly followed by “Penelope the Punisher,” a story that takes place in a fabled domination house, and the cooperation between the women is fantastic. Cooperation is also a sexy theme in “The Queening Chair,” a story that ends the book on a note as high as it begins.

There are a few stories in She’s On Top that pull on my heartstrings while simultaneously making me aroused. They resonate with me in multiple ways. Some of the characters/relationships are well versed in domination. Others fall into it by accident, through experimentation. The types of bondage and kink vary, as do the characters in their race, sexualities, and personalities.

Not only is She’s On Top worth a read; it’s one of the rare collections that I want to read again and perhaps again and again!

You can get both of these books on Amazon, but if you’re looking for more erotica, I highly recommend checking out the erotica section at Good Vibrations, which was kind enough to provide me with these books for review.

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Categories: Books, Reviews

The Sexually Dominant Woman

February 10th, 2010

The Sexually Dominant Woman

The Sexually Dominant Woman
11.47 from Amazon

The Sexually Dominant Woman is a very basic guide to femdom by Lady Green, a pen name for Janet Hardy, who has written and co-written several other BDSM books, including The (New) Topping Book and The New Bottoming Book. Immediately, I was much more comfortable with Lady Green’s tone and approach; although, I found The Sexually Dominant Woman to be just a bit too basic.

Lady Green uses a very friendly and approachable tone unlike the one used in The Mistress Manual. She does not appear to be preaching at you in role, which I appreciate. However, one of the downfalls of this tone is that Lady Green sometimes comes off as less professional than she could, which can make the reader question whether or not we should be taking her advice. The large, un-standard font face used in the book also lends to this feel. I would prefer something that looks just a bit more “proper.” But this would mean The Sexually Dominant Woman would be much smaller in appearance. Indeed, much of the information has been covered online in various communities and on many websites. It’s good to have all the information in one place but I think the Sexually Dominant Woman would almost be better as a PDF “book” than a printed book.

The Sexually Dominant Woman is subtitled as “A Workbook for Nervous Beginners” and much of it has a workbook feel. It could potentially be useful were it kept on hand during scenes (although, that could also detract from the scene itself). This guide is light enough reading that it could be used as suggested reading for partners, too, without overwhelming them.

This guide begins with a checklist to gauge a person’s interest in female domination, and there are frequent black-and-white sketches included. Some of these illustrate tools or positions while others are just complementary to the text. They are all amateur in composition and none of them are really appealing. This book would come off much classier with higher quality art.

What follows is a chapter defining sexual dominant in which Lady Green splits BDSM into several aspects including helplessness (bondage), roles and sensation. The next dedicates a chapter to each where she outlines tools, positions, tips and more. “Winding Down” discusses knowing when the session is/should be finished and she dedicates a few pages toward the feelings which may come after a scene and what they can mean. Throughout the entire book, it feels as though the author is only suggesting things and there is a feeling that the reader can and should tailor the advice to be a better fit for her specific situation. Although The Sexually Dominant Female is intended for female dominants and male subs, there is a note in the beginning that recognizes that many women play with women and that most of the content can be altered for the purpose. I would have to agree that this book is more neutral toward the submissive’s gender because it does not play on the yin and yang of gendered Dominance and submission like the Mistress Manual. It also makes it that much more pleasant to read.

The chapters are all short, no more than a few pages each. As you can guess, The Sexually Dominant Woman does not go into extreme depth about any one topic but gives a brief and consistent introduction to each subject tackled within its pages. It is not a book I would solely rely on, and I would encourage people to read other material, such as The Sexually Dominant Woman. My suggestion? SM 101 is great, but I will definitely pick up The New Topping Book after this. I especially suggest SM101 because it tackles many issues regarding safety and BDSM, an area which is a bit lacking in The Sexually Dominant Woman, and novice players may not realize what is lacking. Although the chapter on Physical and Emotional Safety is one of the longest in the book, it’s still only a handful of pages long.

Where The Sexually Dominant Woman really stands out, in my opinion, is with the suggested “basic first session.” I have read several suggestions in several other books, but none of them have ever been appealing. Lady Green suggests a scene that has a dedicated beginning and end (and helps players get into and out of scene mode), which flows naturally and incorporates a variety of activities and tools (bondage, collars, clamps, blindfolds, flogging, etc) and has alternatives provided depending upon whether the reader wants to incorporate sex into the scene. Overall, this suggested scene is pretty much perfect for any BDSM newbie, with enough structure to keep it moving but not so restrictive that it feels silly. It is definitely a chapter I would recommend or reference in the future.

The Sexually Dominant Woman wraps up with “Some notes For Your Submissive” which can help a submissive understand how taxing a role can be a dominant, especially a new dominant. This is followed by “Tips For Partner” finding which discusses perception and expectations that can aid in the search as well as a few suggestions of places to search. The advice is the sort of common knowledge that people can sometimes forget when setting off on a new adventure.

The appendix is the last chapter and Lady Green takes time to suggest further reading material, discuss kink-aware professionals and warn about the internet. It’s a bit of a catch-all which basically indicates that The Sexually Dominant Woman is not intended to be a stand-alone source. As I finished the book, that is the same conclusion I reached. The Sexually Dominant Woman is not groundbreaking and, to be honest, is probably old news to anyone who’s been on the internet a time or two. However, the approachable tone is refreshing for someone like myself, who has had issues with other BDSM books. If you happen by it, I would pick it up. Although, it seems like it may be going out of print so I’d probably look for The New Topping Book instead.

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Categories: Books, Reviews

Bijoux Indiscrets cosmetics for better sex

The Mistress Manual

January 26th, 2010

The Mistress Manual

The Mistress Manual
$29.29 from Store.OfSexAndLove.com

The Mistress Manual, “the good girl’s guide to female dominance,” is a pretty iconic book when it comes to BDSM guides but it is not a general dominance/topping book and it will be most useful to a specific sort of demographic. If you’re curious if you fall into that demographic, ask yourself these questions:

  • Are my femininity and domination closely connected?
  • Have I already found or created a willing male submissive?
  • Does my idea of domination center around the house?
  • Am I looking for help developing my dominance style and, if so, do classic dominance archetypes (nursemaid, governess, queen, amazon, goddess) appeal to me?

If your answer to any of these questions is “No,” I would direct you in another direction. Perhaps the New Topping Book, although I have not read it myself. If all your answers are “No,” I would not encourage you to open The Mistress Manual with a 10-foot pole because, while the advice given by Mistress Lorelei will probably work quite well for those whose styles of domination mesh with her views, the scope is limited enough that it will be extremely frustrating if not entirely futile for anyone else. Here’s why.

The keyword is female.

Mistress Lorelei, whom the reader learns is a professional writer from a blurb at the end of the book but whose expertise on the subject is never fully established, seems to see female dominance and male submission as a complimentary pair, sort of yin and yang-y. And I can dig that. In many ways, it makes sense, and, thus, it’s pretty much the running theme of this guide.

In some ways, however, it doesn’t make quite so much sense. Although there is advice in The Mistress Manual that can be used by any creative person or couple, the unique dynamics of a lesbian power exchange relationship may not benefit quite as well from Lorelei’s words. Perhaps she focused on the idea of “female dominance” a bit too much. I don’t need to roar because I’m a woman, and while being female can certainly add unique aspects to power, power itself is not hinged on my gender.

In fact, there are several reviews on Amazon that voice my critiques much more eloquently than I ever could:

Most of this book is tainted with this woman’s petty revenge fantasies. She can’t seem to seperate [sic] the idea of a well balanced BDSM relationship, founded on ideas such as trust and respect, from her indignacy [sic] at her perceived “second class citizen” status because she is a woman.

The Mistress Manual could have done much more to help craft or find a submissive.

While Chapter 3 talks about finding or creating a submissive, it was sorely lacking. The information to determine if one’s partner is open to female dominance is based on many assumptions. For example, Lorelei suggests that positive reactions to nipple pinching, being told to perform oral sex or to woman-on-top sex are indicative of domination fantasies and they can be, in the right situation. On the other hand, those things are all pretty vanilla these days, and I wouldn’t think someone is into BDSM simply for liking those things.

If your partner does happen to have fantasies of female domination that take little to encourage, you probably won’t find this as problematic as I did. Furthermore, if you live in an area where it’s easy to find an already submissive partner, you’re set. Just don’t rely on The Mistress Manual to be much help if either of those speed bumps apply to you.

“Domestic Discipline”

Mistress Lorelei describes her brand of dominance as “Domestic Discipline.” While I’m no expert, she defines this term (and others) uniquely. I have only ever seen Domestic Discipline defined as a relationship between husband and wife where the husband is dominant. Female dominance does not fit that definition at all. Somehow, Lorelei has found a group of people who have altered the traditional definition, and this can be misleading. It’s like she decided to say, for her book, that “empty means full.”

Semantics aside, my domination tastes center around general BDSM, not domesticity or discipline exclusively. In the beginning of the book, Lorelei is quick to state the differences between her idea of domestic discipline and the BDSM/leather scene, which did put me off for the rest of the book. However, if the idea of domestic roles or discipline-dependent S&M is this thing, you will probably enjoy this book much more than I did.

She’s a stickler for archetypes.

Admittedly, I do not put much stock into the “archetypal” female dominance roles, which she lists as nursemaid, governess, goddess, queen, and amazon. Relying on established fantasies can certainly help the creative juices flow for planning a scene and help to develop a style of dominance if someone is not sure how to proceed. Still, I find my tastes to be a bit more eclectic than these roles sometimes allow for. All these fantasies closely tie femininity into dominance as well, which makes them either a great fit or.. a sore fit. I do find the references to these roles throughout the book to be distracting.

If you still find yourself interested, he is a brief rundown of the Mistress Manual:

Separated into three parts – Becoming a Mistress, the Mistress in Action, and The Five Archetypal Fantasies – this book is well suited for absolute beginners or perhaps women who have struggled to get their BDSM fantasies off the ground, but it does not offer the mental or emotional assistance that some people require. Furthermore, the chapters waver in-depth, with Lorelei including much information about spanking implements but never quite explaining how to bring out submission in a reluctant partner.

The chapters in the first section explain the appeal of female domination, how to get over hang-ups about the idea, finding or creating a submissive male, and balancing fantasy and reality. The chapters in the next section discuss establishing authority, planning a first scene, the art of discipline and “bondage, humiliation and other forms of control.” The Mistress Manual wraps up with a chapter each on what Lorelei calls the 5 Archetypal Fantasies of female domination – Nursemaid, Governess, Queen, Amazon and Goddess – with an introductory chapter about fulfilling fantasies of both the dominant and her male submissive.

There are some strengths to this book. An entire chapter is dedicated to “The Reluctant Mistress” to aid newbies who are uncomfortable with the idea of female domination. It outlines reasons that women shy away from domination, such as guilt, repression, or unwillingness. Additionally, Mistress Lorelei helpfully describes how language, props, costumes, and acting can all aid in this endeavor. I hadn’t given enough thought to some of these things, and I could see why they could be detrimental to my play. Plus, Mistress Lorelei knows her impact play props and even talks about sting versus thud, as well as offering concrete information about methods of spanking. Furthermore, there is a list of ways to aid in “Combining Power and Pleasure” with tips on how language, position and other things can affect the perception of power. Lastly, the author does advise discussing thoroughly what all parties want out of domination (and the archetypes might help in determining and discussing this).

Yet I would be aware that The Mistress Manual is dated, like S&M101. The author suggests finding potential partners in the meeting places of yesteryear (ads and clubs). I did not find the suggested first scene appealing. Rather, it was bland and didn’t flow in a way that I found to be natural or satisfying. This may only be personal preference, however.

Ultimately, The Mistress Manual is not the book for me, and the points that I found helpful are few enough that I may remember them without ever needing to open it again. I would certainly steer someone toward other books (like SM101 or The New Topping Book) over The Mistress Manual. The pretentious and overly wordy style Lorelei used also detracted from my enjoyment. By the end, I was skimming the book, if only because I could no longer force myself to read it word for word. In short, The Mistress Manual is a good book if you are like Mistress Lorelei but not as good if you are like me.

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Categories: Books, Reviews

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