Erato: Flash Fiction

June 30th, 2021

It has been a good while since I’ve read any erotica, let alone reviewed some. But I couldn’t pass up the newest anthology from the New Smut Project. You might remember me reviewing Between the Shores a few years ago.

Scratch that?

2015?!

I guess that’s more than a few years.

But I digress.

That erotica anthology tackled something that some people (erroneously) consider unsexy: consent.

I’ll be honest, I don’t remember the specifics, but I do recall the stories being unique, enjoyable, and well-written. So I agreed to review Erato when the opportunity arose. Let’s start with its official description.

Short, short tales from 50 experienced storytellers and hot new talent bring readers to Paleolithic caves and far-flung planets, seducing them with magic, mythology, and dreams while wryly acknowledging the reality that sometimes sex requires stretching. Alongside old favorites like temperature play and strap-ons, have you considered the erotic potential of shaving or a handful of coins?

While the New Smut Project’s other books were themed by subject, the thing that pulls each of the 50 stories in Erato together is their length: they’re brief. You might recall that I am a fan of flash fiction when it comes to my erotica. To this day, I still have both Five Minute Erotica and Got A Minute? on my bookshelf. And while I haven’t gotten around to it, I fully intend on rereading them both at some point. Erato will soon join these volumes. Like them, this anthology spans a variety of themes, from Sci-fi/fantasy to period pieces to BDSM to queer erotica.

However, there are some keys differences that make this anthology stand out, and I think some of them have to do with this being a more recent book. It might seem arbitrary that Erato is a much newer book of flash erotica, but I can’t imagine an anthology as inclusive as this being released even just a few years ago. In fact, few organizations would strive for inclusivity the way New Smut Project has with Erato. Heteronormativity? No, sir! The stories include trans and nonbinary and characters requesting and using pronouns other than he, she, or even, they.

I think anyone who finds most erotica too limiting or irrelevant, might find Eratot to be much more accessible because of this. Of course, there’s a subset of people who would criticize this move or claim that this book is all clear, but that’s not true (and the overlap with my blog readers is probably small). Many of the stories have different themes but just happen to have characters that fall a little outside the gender and sexual binary.

Another consideration, which is true for all collections, is that if you especially like a story, it’s just one in the bigger collection. Because Erato focuses on shorter stories, you might find your interest is piqued but your appetite isn’t sated. Fortunately, some of the pieces in this book are chapters or snippets from the authors’ own longer works. There’s something.. wholesome… about the promotion that authors might get from Erato.

The other distinguishing feature of Erato is simply the quality of the stories. Multiple times I found myself thinking not just that something was interesting or hot, but that it was literature. Erato is the book you give someone if you want to prove that erotica has artistic merit. It’s not a guilty pleasure because there’s no way to feel guilt about something so excellent. Editors Alex Freeman, Guinevere Chase, and T.C. Mill so carefully curated this collection, and it shows.

So which of those stories are my favorite?

Erato starts out strong with Gerri Green’s “Anthing For the Mission,” a story of exploration that’s out of this world.   The momentum continues with “Touch” by D. Fostalove, a story most certainly inspired by COVID-19–but with a sexy twist. The visuals of R.F. Marazas’s “Dressing Dana” are topnotch, and Alain Bell’s “Contentment” is a story imbued with the universal feelings being in love brings forth from us.

Don’t even get me started with the second of Lawrence Schimel’s three pieces (expertly translated by Sandra Kingery), which includes a line that makes me want to cry. Somehow he uses words that perfectly capture the how pain and arousal can become intertwined after loss. I even laughed out loud a time or two while reading the stories in these pages.

No matter how fantastic the plot, there’s always a reminder of how human we are–and by extension, sex is.

Like I said, it’s literature.

And that’s just the first quarter of the book.

If you want to experience Erato for yourself, you can purchase digital or Kindle versions on Amazon. And if you’re trying to boycott Amazon, I get it. There are a few purchase options on the New Smut Project’s website, including some with discounts!

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Gotta Have It

August 10th, 2011

There’s nothing like a long book that you don’t really like. I guess I could sum up my experience with “Gotta Have It” in those words and leave it but I’ll try to explain exactly why this book didn’t catch my fancy. I mean, there’s a cat on the cover, so that should count for something, right?

Gotta Have It” promises to offer 69 stories of sudden sex, and while the sex may be sudden, it’s not all sudden fiction. That is, some of them are just a little longer than I like and we all know how I don’t like erotica that lasts longer than I do. And, honestly, I think the sheer number of stories is not working in this book’s favor. It appears bulky, especially because it’s shorter and squatter than any other erotica book I own. It’s ten times as big as Five Minute Erotica! Maybe I wouldn’t have noticed so much if I weren’t reviewing it but I felt the deadline pressing against me and was just trying to finish all the stories, one by one, and they kept blending together. By the time I finished the book, I couldn’t remember anything about the first stories–there was just too much data to try to recall in one place. This would have been much better off as two volumes.

But it’s more than that because I found myself paging through and passing by more stories than I read. A lot of them just didn’t pull me in from the start and I couldn’t get into them by continuing on. I don’t like to waste my time so I skipped ahead. The problem is that the focus of these stories appears to be the writing rather than the sex or sexuality. They’re all spectacularly written and interesting as literature but not as erotica. It’s almost as though the sex is an afterthought in some of them.

There are well-written stories with a wide variety of subjects. The themes in this book include golden showers, sex with strangers, voyeurism, phone sex, gender play, online dating and Godzilla. Yes, Godzilla. In fact, Salome Wilde’s “Too Wondrous To Measure” is a fantastic tale about the giant reptile that I remember simply because it was weird. Call me old-fashioned but I just don’t get turned on by the guy. There are a mixture of gay, lesbian, bisexual and straight couplings but there’s a lot of monogamous sex that I just didn’t find particularly thrilling in “Gotta Have It.”

One of my favorite stories actually details the make-up sex of a married couple. Daniel Burnell’s “Ties That Bind” was interesting when I first read it. Yet, it’s not something that is so interesting or different that I remember it once the book leaves my hands. The same can be said for “Lucky Number Fifty-One” which follows a man who gets the chance to have sex with his favorite porn star and is able to impress her.

At the end of the day (or page or book), “Gotta Have It” Is simply not the best erotica collection I’ve read. It’s better than, say, X, because I like stories short but I have four or so anthologies on my nightstand that I found to be much more interesting. I don’t know if it’s the sole reason but I seem to really enjoy collections that Alison Tyler have edited and this one was edited by Rachel Kramer Bussel. I’d recommend Five Minute Erotica if you want a short and sexy story. Some of those have left some pretty vivid memories in my mind.

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Best Women’s Erotica 2009

April 18th, 2010

Okay, so I may be a year late but I am no hardcore erotica collector. I mean, I’ve enjoyed a story here and there, but I usually opt for a toy over a book. Still, it’s nice to switch things up a bit and that’s exactly what I did when I requested Best Women’s Erotica 2009 to review. Not only does it not vibrate, but it’s in a different series than any I’ve read before. ‘

This volume has a hot cover. It’s not entirely explicit, but it just draws me in. A dark-haired, fair-skinned woman lies on the floor in the corner with a fishnetted leg against either wall. At first glance, she appeared to be wearing ballet slippers, but they were, in fact, heels. The deep red of the wall is just a sensual colour.

The first few pages contain an introduction by editor Violet Blue. Even her introduction to the content of this book is a somewhat erotic story about mythological Persephone. This leads to an absolutely enthralling depiction of Peter Pan’s Tigerlily and her sexual frustrations. Although I do not particularly remember Tigerlily, Valerie Alexander does a stand up job of bringing a sexualized version of Never Neverland to life in “Fly.” It gets you excited for what the rest of the collection will have.

And then Best Women’s Erotica 2009 falls flat on its face, having done the exact opposite of “saving the best for last.” No, it gives it to you first and every other story pales in comparison. Sure, there are lots of themes: straight, gay and in between, BDSM, toys, anal sex, voyeurism, sex in public, roleplaying and more. And, in general, the writing is superb and the editing slick. Although, there is one story in particular, which I won’t name, that seems so sub-pay I can’t believe it actually made it into the book. There are authors whom I’ve read and enjoyed before. It’s safe to say that many have been previously published; this isn’t their first rodeo.

Yet, the entire volume is almost completely lackluster. Where it gets my attention at all, I find the stories to be too drawn out. Some of the pieces seemed to just go on forever and not even in the name of build-up; there were pieces that simply didn’t know where to end. I know that erotica is subjective, but there are usually 2 or 3 pieces that I really like in any given collection and a handful more I will enjoy upon rereading but may not necessarily remember. Most of the stories in this book, however, I forgot by the next time I picked up the book with only a day or so in between!

I suspect that maybe I shouldn’t be reading “Women’s” erotica. Maybe I need something more direct, less sensual, shorter. Perhaps I am not the right audience. Maybe I want to read less about love and sweet encounters (not that there isn’t more to be found in this volume). I concede and accept that. I’m still sort of shocked I didn’t enjoy myself more.

In fact, as I try to recall just what it is that I liked about other stories I’ve read, it strikes me that Best Women’s Erotic 09 is deeply rooted in reality – save for the Peter Pan story. There’s no tentacle sex, bestiality, or other fantasy. Essentially, there is nothing really different or unique. In fact, some of the stories are more than a little cliche, like the one about a woman having sex with her dance instructor. I just need something more out of the box.

Maybe if you prefer in-the-box, reality-rooted erotica with more sensuality than you might normally have, you’d enjoy Best Women’s Erotic ’09. I don’t know.

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X: The Erotic Treasury

May 12th, 2009

There is usually a book or two sitting on my nightstand and, up until now, they have been inconspicuous. Long novels whose covers are adorned with people on horses and flaming swords are a favorite (I look forward to rereading Weis and Hickman’s Death Gate Series). I have also enjoyed Absolute Sandman, which includes some impressive-looking books by Gaiman (rest assured that his writing rivals, if not surpasses, the look of these tomes!); so I am no stranger to beautiful books. And books are no stranger to my bedroom, even erotic ones. But I’ve never had a book quite like X: The Erotic Treasury, grace my nightstand before. Chances are, neither have you.

On the surface, X shares some characteristics of other books I’ve turned to before bed. Like the Ultimate Sandman, it is hardcover and slip-cased, a reprinting of previously published works. Like 5 Minute Erotica, it is a volume of quality erotic writings from two dozen authors, and it will most certainly turn you on. But the fact that it is like both of those books really makes it something else entirely. I don’t think anyone in the business of producing racy reading material has ever gone this route. I think this gives both the editor (Susie Bright) and the publisher (Chronicle Books) an edge over the competition. Quite simply, they did it first.

What is it that they did, exactly? They published a book of the best of the best, with a sexual twist. Susie Bright compiled two dozen stories, many of which were previously published in collections like Best American Erotica or Best Women’s Erotica, to tease and please us. With over 300 pages of erotic content, there is simply a lot more to this collection than others I have written. There’s really not much of a comparison.

On top of the quality stories, the powers that be also decided to make X a book that was also pleasing to the eyes. Slightly larger than most erotica, this hardcover book is encased in red fabric featuring a floral-esque motif in a not-quite-black pattern. The front and back covers are bare, and I’ve opened the book upside down a time or two, but this is not something about which I am overly concerned. On the spine of the book, you will find the name of both the editor and anthology in a very complimentary gold tone. The book fits comfortably in a slipcase that features the same floral design, with colors switched (the not-quite-black is more predominant). On the front of the slipcase, the letter X has been cut so the cover of the book itself will show through. It’s really quite impressive.

Ms. Bright did a wonderful job editing – I noticed no typos or other publishing errors – as well as picking the stories/authors to publish. The caliber of writing in this book is extremely high. It makes me ashamed when I think my writing is any good. The pieces showcased in X are by talented, articulate wordsmiths who are not afraid to express themselves. You can start from the beginning or end or anywhere in between and find yourself immersed in great storytelling.

The stories are of varying subjects, some of which may be considered taboo. They are not your run-of-the-mill erotica written by a bored housewife; they are each truly unique stories. Some are scenarios more creative than my fantasies will ever be, while others are the result of creative minds, skillfully retelling stories, familiar to us all, in ways that seem refreshed. If I have any criticisms of X, is it not about the quality of the stories?

As a testament to the quality of these pieces, I can tell you that I found myself being aroused, more than once, by situations that I do not necessarily consider erotic because the writer is simply that goodThis is the case with Michael Dorsey, whose story “Milk” revolves around a Ukrainian engineer living in Russia, following a harsh winter when milk is in high demand. After searching the entire day for the elusive liquid to sate his thirst. He finds his salvation close to home and suckles from a mother’s breast. I have never been a fan of this scenario. Even as I write, I do not like it. Yet, when I read it, Mr. Dorsey’s words turned me on.

Of course, there were plenty of scenes that are more typically arousing for me and proved to be in this book. One piece, “The Man Who Are Women,” chronicles a night of drunken debauchery in which a young man accepts a dare to perform oral on random women while blindfolded. Oral sex is always a winner for me, and this story was no exception.

I also enjoyed Peggy Munson’s “Fairgrounds,” which touched on disability and gender play, as well as “Red Light, Green Light” by Shanna Germain, whose words paint a picture of women partaking in traditional activities in Amsterdam’s red light district (with a twist, of course).

Of course, I didn’t expect to like every story in this book. I found some pieces sexual but personally sexy. I think the stories I didn’t love illustrate quite well what I see as the biggest faults of this collection. First, unlike 5 Minute Erotica, these pieces are not necessarily short. Some are short (for better or worse), but most are longer. This isn’t a problem if I like the content or at least the style of writing, but a long piece that I do not like, as compared to a short one, seems that much worse. Even pieces that contained arousing parts sometimes took too long to get to the “good stuff” for my taste. I suppose I just like my erotica quick and to the point.

Secondly, because these are simply outstanding pieces, some of them simply are not erotic to me. I followed some of them with interest because the storyteller was gifted and the story itself was interesting, but I thought to myself, more than once, “Well, it’s good, but it’s not turning me on.” This was the case with a futuristic story about some sort of cyborg who got off to computerized women in the form of software (“The Portable Girlfriend”). Another story involved the coming of age of a man who has spent his life with a pair of women who embodied every teenager boy’s fantasy (think classic cheerleader), after being granted a wish (“Wish Girls”). I liked the story and was interested in what happened to the main character. Yet, it was written in such a way that something I would normally find erotic just wasn’t.

The high-quality writing contained within these pages sometimes seems to lack the down-and-dirty sexuality of most erotica. However, these common ideas can be the most arousing. Occasionally, I would find myself wondering if high-quality writing and erotica were not mutually exclusive. It seemed like some of the authors preferred hinting at the sex or writing a story that involved sex but was not necessarily about it. I know this is not always the case, as X: The Erotic Treasury contained many well-written pieces that did involve blatant sexuality, yet others made me wonder why they were chosen with this book.

I suppose it must take just as skillful a writer to take something I would generally consider erotic and turn it into something simply interesting, as it does to take the mundane or anti-erotic and make it arousing. Rest assured, all of the authors who have had work included in X: The Erotic Treasury have written pieces worth reading (as is this collection worth perusing). I’m just not sure all of them belong in an anthology of erotica.

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