The Most Disappointing Sex Toys I’ve Used

September 27th, 2013

Not all of the reviews that I write are positive, and I don’t make any apologies for that. I’ve used some great toys that just didn’t fit my anatomy, and many, many toys are beautiful, but just won’t cut it when it comes down to it. There’s almost nothing worse than drooling over a toy, especially an expensive one, and realizing that I hate it. But it’s worse for consumers like you, who spend your hard-earned money without the steep discounts that I get as a reviewer.

So let me help you avoid the same mistakes I’ve made by compiling this list of toys that I just can’t recommend; in fact, I don’t want you to have your heart broken just a little like mine was.

Vibrators

  • bbold-premium[1]I don’t know what the hell was the problem with my Mimi. Either it was defective, or everyone who liked it was batshit crazy. Now, I don’t want to insult all my readers, but we were not having the same experience at all. So I let my cat chew on my Mimi before trading it away. Just kidding. I can’t control those pussies.
  • I have disliked almost all of the Jimmyjane vibrators I’ve used, and the Form 2 was no exception. From weak, buzzy vibrations to breaking randomly, it was all bad.
  • There was so much buzz about the iRide. It wasn’t intended for human use at all.
  • Minna Ola uses technology that sounds so intriguing but is freakin’ frustrating to use in reality. I spent a bit of money on this G-spot vibrator, and now it’s sitting in a drawer.
  • Bbold Premium is gorgeous, and I’ve always liked BSwish as a company. However, almost all of the vibes — especially the rechargeable ones — are stupidly weak.

Try this instead: Mona 2

Dildos

  • I haven’t liked a single toy from Tantus. I don’t understand it, but the Splish was among the worst. I should have paid more attention to the specs, yes, but there’s not a single reason for a dildo to be the size of a pinky finger like this was.
  • Tantus Delta was flexible as fuck. Eww.
  • And the Alumina Revolve? sort of pretty. Totally disappointing.
  • Don’t even get me started on the Pure Wand.
  • Icicles Number 39 was gorgeous. I think I could have loved if.. If it didn’t break before I even got to use it. I don’t want to say that you shouldn’t try Pipedream’s glass, but this gives me serious misgivings about the entire line.
Icicles 39 Handle Broken From Shaft

Try this instead: Tex, Twist, Fun Wand

Sensual/Massage

  • The Cake Body Butter smelled like shit. Well, not quite. It was rancid.
  • And Lelo’s massage candle smelled okay but was terrible when it came to massage.
  • Lelo Luna Beads were all hyped up. I don’t think that there’s any point to multiple weights in kegel balls.

Try this instead: K-balls, Shunga massage oil, Contour M massage stone, Oil of Love: Raspberry Kiss,

Lingerie

  • Material Girl Fetish Fantasy dress was too small and unflattering in so many ways. The lack of adjustability was also terrible. It was pretty ridiculous.

Try this instead: Kissable Leopard babydoll, Sheer Pleasure Chemise, Raspberry fields babydoll 

BDSM

  • Sasha Pouch and GartersThe Touch of Fur rabbit flogger actually came apart when I used it. I sewed it back together by hand because I fuckin’ love the feel of it.
  • The Crystal Whip by Liberator is attractive and versatile, but it’s also cheap quality-wise. Rhinestones fell off. I think I superglued one back on.
  • Finally, the Sasha harness looked cool but didn’t fit in a flattering way. It was one of the biggest bummers ever.

Try this instead: Wartenberg wheel, Under the bed restraints,

What vibrators, dildos, or lingerie have left you wanting more? What’s the biggest disappointment in your life and how much did it cost?

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Wartenberg Pinwheel Giveaway

April 16th, 2013

Do you guys remember when I reviewed my wartenberg wheel so many years ago? Literally years ago. Man, I have been at this gig for so long. And it hasn’t been all ups, but there have never been enough downs for me to consider quitting. Things have changed in a lot of ways that I couldn’t have seen coming in 2008. No one did really, but I’m still here.

UberKinky wasn’t one of the companies I was working with five years ago, but they’ve just started their program, and I’m glad to be on board. I’ve been able to hold a couple reviews, and this one will be for a wartenberg pinwheel.

wartenberg wheel

When I first tried one, I was impressed. To some people, this device looks like torture, but it’s really quite versatile. You control everything, so if you use a gentle touch, your partner will feel a light prickle but no pain… unless you want them to, which is easy to do by applying more pressure.

It’s really hard to do this concept wrong; although, a few companies have modifying BDSM pinwheels to have more heads, colors or larger spokes. The concept, though, is hard to mess up. Perhaps this is why I am so likely to recommend them to people who are looking for something different. Work it into medical play, use it to build up to knifeplay or engage in a little CBT.

I hope I’ve got you considering and if I have, you should keep reading because you can win one. Use the Promo Simple giveaway below to enter. This giveaway is open to US and UK residents, 18+. If you’re experiencing issues entering your address, use a placeholder — we’ll get your info if you win. Make sure to check your email so you don’t miss out!

Wartenberg Pinwheel

Click here if you have trouble loading the form.

The giveaway will end on May 15th, and I will use a plug-in to randomly  generate a single winner. The winner will be contacted by me  via e-mail and UberKinky will mail the prize directly to the winner. Of Sex and Love is not responsible for delivery.

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18″ Classic Leather Whip

December 2nd, 2011

My impact play collection is small but growing. I have a rabbit fur flogger that feels design but isn’t effective at transmitting pain or staying together. I have the paintbrush flogger that is mostly a novelty. I do enjoy Babeland’s riding crop and now I have a very traditional leather flogger. Perhaps I can clear up some misconceptions that maybe no one has.

Actually, it seems that this flogger was made by the same folks who made my rabbit fur flogger — Touch of Fur. This one is much higher quality, though. The 18″ whip is about 2/3 tails and 1/3 handle. I can fit just about two fists on the handle but it’ll be a comfortable fit for those with larger hands, too. The handle is uniformly wrapped in leather and there’s a plastic cap over the end, through which a small D ring is attached. It’s really small, though and I think it could stand to be a bit larger because this will only fit on long, slender hooks. Either end of the handle is secured with hardware, the name of which is completely escaping my mind. But don’t expect this piece to come apart too easily. Plus, the silver on black looks smart.

Even though it’s labeled as a whip, it’s a multi-tailed tool. There’s 12 to be exactly. and they overlap in two and a half rows around the rounded handle. The leather tails are cut with perfectly straight ends and the outside is finished to a shine while the inside of the tails is soft and unfinished. They both feel nice, actually. The leather does not smell as amazing as I like my leather to smell but it won’t kill me.

This flogger is actually the most.. severe that I own. It’s not that you can’t flog someone lightly but it creates delicious welts, small ones albeit, with surprisingly little effort. In fact, its bark (welts) may even be a little bit more intense than its bite (pain) and this could be good for a novice. I like finally having an impact toy that will leave some marks and can easily be felt.

This one is pretty balanced, to my inexperience hand, and aims fairly well. The tails mostly stay together when swinging and it’s not long enough that you’ll have to worry about too much wrap around, which can mean pain in a negative way. I don’t like things that require too much arm strength or practice so this flogger is right at my level.

I don’t even remember if it came with a plastic bag. If it did, I threw it out right away. I also don’t remember any instructions but I’d wipe this with a damp cloth, pat dry and let it hang to air dry completely. The hook, which is too small in my opinion, will work for some storage solutions. Vertical storage really is where it’s at, folks.

My experience with the 18″ Classic Leather Whip has been far more enjoyable than with their rabbit fur flogger but I’d love if it FunWares and similar sites gave more information about the manufacturer. d=

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The Sexually Dominant Woman

February 10th, 2010

The Sexually Dominant Woman is a very basic guide to femdom by Lady Green, a pen name for Janet Hardy, who has written and co-written several other BDSM books, including The (New) Topping Book and The New Bottoming Book. Immediately, I was much more comfortable with Lady Green’s tone and approach; although, I found The Sexually Dominant Woman to be just a bit too basic.

Lady Green uses a very friendly and approachable tone unlike the one used in The Mistress Manual. She does not appear to be preaching at you in role, which I appreciate. However, one of the downfalls of this tone is that Lady Green sometimes comes off as less professional than she could, which can make the reader question whether or not we should be taking her advice. The large, un-standard font face used in the book also lends to this feel. I would prefer something that looks just a bit more “proper.” But this would mean The Sexually Dominant Woman would be much smaller in appearance. Indeed, much of the information has been covered online in various communities and on many websites. It’s good to have all the information in one place but I think the Sexually Dominant Woman would almost be better as a PDF “book” than a printed book.

The Sexually Dominant Woman is subtitled as “A Workbook for Nervous Beginners” and much of it has a workbook feel. It could potentially be useful were it kept on hand during scenes (although, that could also detract from the scene itself). This guide is light enough reading that it could be used as suggested reading for partners, too, without overwhelming them.

This guide begins with a checklist to gauge a person’s interest in female domination, and there are frequent black-and-white sketches included. Some of these illustrate tools or positions while others are just complementary to the text. They are all amateur in composition and none of them are really appealing. This book would come off much classier with higher quality art.

What follows is a chapter defining sexual dominant in which Lady Green splits BDSM into several aspects including helplessness (bondage), roles and sensation. The next dedicates a chapter to each where she outlines tools, positions, tips and more. “Winding Down” discusses knowing when the session is/should be finished and she dedicates a few pages toward the feelings which may come after a scene and what they can mean. Throughout the entire book, it feels as though the author is only suggesting things and there is a feeling that the reader can and should tailor the advice to be a better fit for her specific situation. Although The Sexually Dominant Female is intended for female dominants and male subs, there is a note in the beginning that recognizes that many women play with women and that most of the content can be altered for the purpose. I would have to agree that this book is more neutral toward the submissive’s gender because it does not play on the yin and yang of gendered Dominance and submission like the Mistress Manual. It also makes it that much more pleasant to read.

The chapters are all short, no more than a few pages each. As you can guess, The Sexually Dominant Woman does not go into extreme depth about any one topic but gives a brief and consistent introduction to each subject tackled within its pages. It is not a book I would solely rely on, and I would encourage people to read other material, such as The Sexually Dominant Woman. My suggestion? SM 101 is great, but I will definitely pick up The New Topping Book after this. I especially suggest SM101 because it tackles many issues regarding safety and BDSM, an area which is a bit lacking in The Sexually Dominant Woman, and novice players may not realize what is lacking. Although the chapter on Physical and Emotional Safety is one of the longest in the book, it’s still only a handful of pages long.

Where The Sexually Dominant Woman really stands out, in my opinion, is with the suggested “basic first session.” I have read several suggestions in several other books, but none of them have ever been appealing. Lady Green suggests a scene that has a dedicated beginning and end (and helps players get into and out of scene mode), which flows naturally and incorporates a variety of activities and tools (bondage, collars, clamps, blindfolds, flogging, etc) and has alternatives provided depending upon whether the reader wants to incorporate sex into the scene. Overall, this suggested scene is pretty much perfect for any BDSM newbie, with enough structure to keep it moving but not so restrictive that it feels silly. It is definitely a chapter I would recommend or reference in the future.

The Sexually Dominant Woman wraps up with “Some notes For Your Submissive” which can help a submissive understand how taxing a role can be a dominant, especially a new dominant. This is followed by “Tips For Partner” finding which discusses perception and expectations that can aid in the search as well as a few suggestions of places to search. The advice is the sort of common knowledge that people can sometimes forget when setting off on a new adventure.

The appendix is the last chapter and Lady Green takes time to suggest further reading material, discuss kink-aware professionals and warn about the internet. It’s a bit of a catch-all which basically indicates that The Sexually Dominant Woman is not intended to be a stand-alone source. As I finished the book, that is the same conclusion I reached. The Sexually Dominant Woman is not groundbreaking and, to be honest, is probably old news to anyone who’s been on the internet a time or two. However, the approachable tone is refreshing for someone like myself, who has had issues with other BDSM books. If you happen by it, I would pick it up. Although, it seems like it may be going out of print so I’d probably look for The New Topping Book instead.

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The Mistress Manual

January 26th, 2010

The Mistress Manual, “the good girl’s guide to female dominance,” is a pretty iconic book when it comes to BDSM guides but it is not a general dominance/topping book and it will be most useful to a specific sort of demographic. If you’re curious if you fall into that demographic, ask yourself these questions:

  • Are my femininity and domination closely connected?
  • Have I already found or created a willing male submissive?
  • Does my idea of domination center around the house?
  • Am I looking for help developing my dominance style and, if so, do classic dominance archetypes (nursemaid, governess, queen, amazon, goddess) appeal to me?

If your answer to any of these questions is “No,” I would direct you in another direction. Perhaps the New Topping Book, although I have not read it myself. If all your answers are “No,” I would not encourage you to open The Mistress Manual with a 10-foot pole because, while the advice given by Mistress Lorelei will probably work quite well for those whose styles of domination mesh with her views, the scope is limited enough that it will be extremely frustrating if not entirely futile for anyone else. Here’s why.

The keyword is female.

Mistress Lorelei, whom the reader learns is a professional writer from a blurb at the end of the book but whose expertise on the subject is never fully established, seems to see female dominance and male submission as a complimentary pair, sort of yin and yang-y. And I can dig that. In many ways, it makes sense, and, thus, it’s pretty much the running theme of this guide.

In some ways, however, it doesn’t make quite so much sense. Although there is advice in The Mistress Manual that can be used by any creative person or couple, the unique dynamics of a lesbian power exchange relationship may not benefit quite as well from Lorelei’s words. Perhaps she focused on the idea of “female dominance” a bit too much. I don’t need to roar because I’m a woman, and while being female can certainly add unique aspects to power, power itself is not hinged on my gender.

In fact, there are several reviews on Amazon that voice my critiques much more eloquently than I ever could:

Most of this book is tainted with this woman’s petty revenge fantasies. She can’t seem to seperate [sic] the idea of a well balanced BDSM relationship, founded on ideas such as trust and respect, from her indignacy [sic] at her perceived “second class citizen” status because she is a woman.

The Mistress Manual could have done much more to help craft or find a submissive.

While Chapter 3 talks about finding or creating a submissive, it was sorely lacking. The information to determine if one’s partner is open to female dominance is based on many assumptions. For example, Lorelei suggests that positive reactions to nipple pinching, being told to perform oral sex or to woman-on-top sex are indicative of domination fantasies and they can be, in the right situation. On the other hand, those things are all pretty vanilla these days, and I wouldn’t think someone is into BDSM simply for liking those things.

If your partner does happen to have fantasies of female domination that take little to encourage, you probably won’t find this as problematic as I did. Furthermore, if you live in an area where it’s easy to find an already submissive partner, you’re set. Just don’t rely on The Mistress Manual to be much help if either of those speed bumps apply to you.

“Domestic Discipline”

Mistress Lorelei describes her brand of dominance as “Domestic Discipline.” While I’m no expert, she defines this term (and others) uniquely. I have only ever seen Domestic Discipline defined as a relationship between husband and wife where the husband is dominant. Female dominance does not fit that definition at all. Somehow, Lorelei has found a group of people who have altered the traditional definition, and this can be misleading. It’s like she decided to say, for her book, that “empty means full.”

Semantics aside, my domination tastes center around general BDSM, not domesticity or discipline exclusively. In the beginning of the book, Lorelei is quick to state the differences between her idea of domestic discipline and the BDSM/leather scene, which did put me off for the rest of the book. However, if the idea of domestic roles or discipline-dependent S&M is this thing, you will probably enjoy this book much more than I did.

She’s a stickler for archetypes.

Admittedly, I do not put much stock into the “archetypal” female dominance roles, which she lists as nursemaid, governess, goddess, queen, and amazon. Relying on established fantasies can certainly help the creative juices flow for planning a scene and help to develop a style of dominance if someone is not sure how to proceed. Still, I find my tastes to be a bit more eclectic than these roles sometimes allow for. All these fantasies closely tie femininity into dominance as well, which makes them either a great fit or.. a sore fit. I do find the references to these roles throughout the book to be distracting.

If you still find yourself interested, he is a brief rundown of the Mistress Manual:

Separated into three parts – Becoming a Mistress, the Mistress in Action, and The Five Archetypal Fantasies – this book is well suited for absolute beginners or perhaps women who have struggled to get their BDSM fantasies off the ground, but it does not offer the mental or emotional assistance that some people require. Furthermore, the chapters waver in-depth, with Lorelei including much information about spanking implements but never quite explaining how to bring out submission in a reluctant partner.

The chapters in the first section explain the appeal of female domination, how to get over hang-ups about the idea, finding or creating a submissive male, and balancing fantasy and reality. The chapters in the next section discuss establishing authority, planning a first scene, the art of discipline and “bondage, humiliation and other forms of control.” The Mistress Manual wraps up with a chapter each on what Lorelei calls the 5 Archetypal Fantasies of female domination – Nursemaid, Governess, Queen, Amazon and Goddess – with an introductory chapter about fulfilling fantasies of both the dominant and her male submissive.

There are some strengths to this book. An entire chapter is dedicated to “The Reluctant Mistress” to aid newbies who are uncomfortable with the idea of female domination. It outlines reasons that women shy away from domination, such as guilt, repression, or unwillingness. Additionally, Mistress Lorelei helpfully describes how language, props, costumes, and acting can all aid in this endeavor. I hadn’t given enough thought to some of these things, and I could see why they could be detrimental to my play. Plus, Mistress Lorelei knows her impact play props and even talks about sting versus thud, as well as offering concrete information about methods of spanking. Furthermore, there is a list of ways to aid in “Combining Power and Pleasure” with tips on how language, position and other things can affect the perception of power. Lastly, the author does advise discussing thoroughly what all parties want out of domination (and the archetypes might help in determining and discussing this).

Yet I would be aware that The Mistress Manual is dated, like S&M101. The author suggests finding potential partners in the meeting places of yesteryear (ads and clubs). I did not find the suggested first scene appealing. Rather, it was bland and didn’t flow in a way that I found to be natural or satisfying. This may only be personal preference, however.

Ultimately, The Mistress Manual is not the book for me, and the points that I found helpful are few enough that I may remember them without ever needing to open it again. I would certainly steer someone toward other books (like SM101 or The New Topping Book) over The Mistress Manual. The pretentious and overly wordy style Lorelei used also detracted from my enjoyment. By the end, I was skimming the book, if only because I could no longer force myself to read it word for word. In short, The Mistress Manual is a good book if you are like Mistress Lorelei but not as good if you are like me.

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Black Glove/Elegant Spanking

January 17th, 2010

This is an archived review of a discontinued product. 

I read a review describing Black Glove/Elegant Spanking, a DVD containing two short films by Maria Beatty, as “like an artsy amateur porn video that the 2 girls should have kept private.” And I pretty much agree.

It’s not that the visuals aren’t stunning. Both pieces are done in black and white, with more than a subtle nod toward the silent film era (despite being released in 1995). The Elegant Spanking even features “title cards” showing the dialogue between Mistress and slave. The filming is well done, if not simple, and it seems a bit grainy to add personality. The Black Glove is especially heavy with shiny instruments and PVC clothing, while garter belts can be seen in both. The image of pearls sliding between pussy lips in The Elegant Spanking is intriguing if nothing else. Yet, the imagery is very specific, so specific that there can be very little middle ground with Black Glove/Elegant Spanking. Either you will love it, or it will not be your thing. And it’s not mine.

I also can’t say that the acts aren’t realistic or intimate. Marie Beatty portrays a submissive in both films, expressing pain and pleasure well even though we can’t hear her voice or breath. In The Elegant Spanking, she lovingly partakes in watersports. It’s as though someone simply popped a camera into Beatty’s BDSM life and recorded these events. Believable and erotic (it’s hard to call anything with so much BDSM anything else), yes. But rising to any sort of climax (literally or figuratively) or otherwise following any sort of standard film time/plotline, no. We don’t know why anything is happening, just that it is, and it’s over without any real sense of resolution. Both movies are more like extended scenes than stand-alone films, and they move quite slowly. I’ll dare call it boring.

From imagery to music/sound and the speed of progress, these films are both incredibly creative. Yet, that artistry can be difficult to understand and detract from the movie.

Such is the case with the music (by John Zorn), which generally reminds me of haunted house background music or the scores of 80s horror flicks. It suggests seriousness calmly, softly in the background. Yet it also negates any drama in the films themselves, especially in scenes where the actors are clearly speaking, but viewers can’t hear it. Like silent films, this one flashes title cards, but it’s obvious that is not what she said (and I’m no lip reader!). At least in The Black Glove, we can hear some sounds from the scene itself, which I prefer greatly. The sound of buckles and foot steps were appreciated. Yet, toward the second half of this scene, the background music/sound switches to something like burning or crackling. It’s much louder than the previous background music, and I find it completely distracting.

And if kink is your thing, these films have plenty. The Elegant Spanking jumps into watersports pretty quickly. There is spanking, of course, as well as shoe/foot fetish. In fact, that plays an important role in both films. Too bad I hate feet. The Black Glove has lots of appropriate PVC; Maria Beatty is hog-tied, and a cane, Wartenberg wheel, clamps, knife, and wax all make an appearance. Most of these implements are rubbed or run over Maria Beatty’s lingerie-clad body, with the focus on her ass and breasts.

Fans of bonus material will be disappointed. The DVD lists a catalog of other Beatty films but was nothing more than a link to Beatty’s now-defunct website.

While artistic, striking in imagery, BDSM oriented, and incredibly intimate, it seems like these films would best be enjoyed by Beatty & Co. themselves. The artistic eroticism is interesting, and these films would probably lend themselves well to an intellectual discussion (perhaps of D/s dynamics). Still, their limited ability to arouse suggests that this film is simply art, not porn. I know that BDSM doesn’t have to include sex but porn probably should. Sometimes there is a grey area between porn and art, but the black-and-white films on this DVD suggest that is not a place Maria Beatty productions will ever be, and that’s okay. I’m just not the sort of person who can appreciate these films. On the other hand, there were a couple of scenes that would lend themselves beautifully to wall art (something which I can better intellectually appreciate). I would much rather have preferred a handful of stills that sum up the feeling of Black Glove/Elegant Spanking than view the DVD itself.

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“Paint Brush” Whip

November 22nd, 2009

Paint Brush Whip

Paint Brush Whip

This product is no longer available.

The Paint Brush Whip is a flogger-esque impact toy, the unique shape of which lends itself better to novel uses than demanding ones. Because the vinyl falls are sewn in two long rows so they land wider on the skin. It’s a unique sensation which is flogger-like, with a twist. This also means that the weight of this whip is distributed differently and it handles differently than a true flogger. I imagine that flogger elitists would be opposed to this because it does wield a bit sloppier than most floggers (not every fall hits the mark and there are always several which seem to have a mind of their own) but if you just want to try something new and don’t mind that this is more novelty than anything else, the Paint Brush Whip is fun.

Made of a hard leather handle and vinyl falls, the Paint Brush Whip is heftier than most of the other impact toys I have tried, despite its relatively short stature. It measures in at only 13″ in overall length, 5.5″ belonging to the falls – rounded strings of vinyl which are blunt cut at the ends – themselves. Of course, this means you must be relatively close to your target which is not necessarily a con, just something to be aware of. In fact, it could be a pro if space is limited.

While the individual strands have some elasticity, because of the material, there is much less as a whole. Combined with the short length, this toy isn’t the best if you want to be able to pull the falls back and let them snap forward. In my opinion, basic over or underhand throws are most efficient. The paintbrush whip is easy enough to use with just a flick of the wrist. Of course, you can use heavier full armed throws if you so choose. Although heavier than other impact tools I’ve used, the Paint Brush Whip is still quite comfortable and easy to use. In fact, I think the weight of the falls makes it easier to throw and maximize sensation. The sensations fall in a light to medium range. They will sting, warm and redden the skin but they are not ferocious.

The vinyl falls were quite stinky, I might add. They don’t smell like phthalates but they definitely smell like something and the smell was strong. I can even still smell it despite the fact that I’m sick (but it has lessened since day one). It might be better to store this whip with a little space, not locked up tight with other toys which may take on the scent. Luckily, it can be hung with the provided loop, sewn into the handle, so it can be aired out easily while stored. The loop is too small to wear around the wrist, however. Also, it’s sewn in permanently and nonremovable. The loop is also where the tag was attached. It was the shape of a paint bucket with metallic purple paint “spilling” out and was quite pretty.

The leather of the handle is quite firm. Like the slapper I just reviewed, it’s two pieces sewn together near the edge. Unlike the slapper, however, the sewing is much messier. There are loose threads in a few places and more than one place where sewing errors are visible. It seems that, in these places, the sewing just backtracked and went through the holes one more. It’s definitely not as nice looking at the slapper.

The falls are attached through the widest edge (3″) – which gives this piece its paintbrush appearance – and there is an additional row of stitching to secure them. For my purposes, I think the paintbrush whip will hold up well but I wouldn’t expect it to last a lifetime. Where the falls are pressed between the layers of leather, the handle is thicker and it thins toward the opposite end. There does seem to be some sort of reinforcement between the layers in the narrow part (1 1/4″ wide) of the handle, which makes it the firmest part of this whip. The narrow part also has “Sportsheets” etched into it which actually looks pretty neat. Although the leather is fairly smooth, the handle widens just a bit at the end, which makes it more secure to hold.

Although I do not anticipate having to clean the Paint Brush Flogger much, I would simply wipe it down with a damp cloth and pat it dry.

Ultimately, I found the sensations of the Paint Brush Whip by Sportsheets to be unique. I enjoyed using it but recognize that it’s perhaps not the best example of a flogger overall, because of its unique design. If unique is your thing, give it a try but if you are one of the aforementioned flogger elitists, I might get something a bit more traditional.

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